Please use this identifier to cite or link to this item: http://drsr.daiict.ac.in//handle/123456789/225
Title: Urban soundscapes: an exploration of why and how, we hear, what we do...
Authors: Mazumdar, Madhumita
Kadam, Neha
Keywords: Cities and towns
Urbanization
City and town life
Soundscapes Folk music
India
History and criticism
Music and globalization
Finland
Sounds in literature
Sound
Recording and reproducing
Great Britain
History
19th century
Speech in literature
Sound in literature
Voice in literature
City and town life in motion pictures
Music
21st century
History and criticism
Music and technology
Popular culture
21st century
Issue Date: 2008
Publisher: Dhirubhai Ambani Institute of Information and Communication Technology
Citation: Kadam, Neha (2008). Urban soundscapes : an exploration of why and how, we hear, what we do.... Dhirubhai Ambani Institute of Information and Communication Technology, 49 p. (Acc.No: T00188)
Abstract: Urban soundscapes is a multimedia exploration of the forms, practices and habits of engaging with sound in a contemporary urban Indian context. It focuses on the listening habits of a section of the urban Indian youth and invites critical reflection on the choices they make in the selection and enjoyment of the sounds that come to them through the mediation modern technology. Put simply, Urban Soundscapes is both an exploration and reflection on why we hear what we do as we live our lives in the complex sonic environment of the modern city. It begins on the premise that the urban soundscape is not a random collection of sounds. Sounds in the city come in forms, patterns, designs and shapes that are tied to dominant economic structures and local cultural contexts. It invites the user to explore this observation through four different points of entry through technology, through the consumer, the music market and of course through the makers of music themselves. The role of technology in creating a complex and evolving urban soundscape is underscored by a focus on the particular forms, tastes, and habits of listening to music by a dominant section of the urban Indian youth. Based on both fieldwork and academic writings on the subject, this product tries to present a complex cultural and social phenomenon in a format that tries to appeal to both the initiated and informed. It can in a sense position itself as educational software that tries to complement serious writing on the subject by putting together the constitutive elements of multi‐media on a digital medium that is both attractive and affordable. It does not in any way pretend to be either a comprehensive or definitive work on the subject. It offers instead the possibility of generating a critical awareness of one’s social and cultural context in a way that is both intelligible and entertaining.
URI: http://drsr.daiict.ac.in/handle/123456789/225
Appears in Collections:M Des Project Reports

Files in This Item:
File Description SizeFormat 
200614004.pdf
  Restricted Access
2.15 MBAdobe PDFThumbnail
View/Open Request a copy


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.